When Steve Rubell and Ian Schrager, once famed co-owners of Studio 54 in New York, opened the Morgans Hotel in 1984 followed by the Royalton and the Paramount Hotel, both designed by Frenchman Philippe Starck, they created instant hits by ushering in a new era of so-called Boutique (Lifestyle) Hotels with "lobby socializing" like never seen before. These cool, hip, and chic spaces drew a crowd of like-minded hotel guests, including the author, as well as residents.
For the first time, "luxury" became affordable and hotel bars were no longer money-losing must-haves but New York's most sophisticated gathering spaces and watering holes. A new definition of "luxury" in hospitality was born.
Starwood, and later Marriott, took Schrager's brilliant new concept global with W Hotels, which became hugely popular with guests of all age groups worldwide. Rates rivalled traditional luxury hotel offerings, and in many cases exceeded them. Now the new W is called Edition, created by…Ian Schrager.
So, the question is, beyond W, are there any truly differentiating luxury hotel brands? Let's face it, the vast majority of "luxury" hotels still fall into the category of "traditional" luxury. There are numerous hospitality brands these days competing in the luxury realm and there is no real definition for, and distinction between, what is luxury vs. for example, upscale. In addition, there are some iconic, and in some cases legendary properties that have managed to become brands themselves over the years. In total, it is estimated that there are close to 20,000 5-star classified hotels in the world, all claiming the "luxury" descriptor.
Numerous brands lack notable distinction: For example, when a property is de-flagged, the new operator can and often does take over almost seamlessly, thereby calling into question any asserted differentiation.
The truth is that all these brands claim to have a genuine and unique brand core and promise, yet these are generally not really noticeable to the consumer, who consequently does not reciprocate with brand loyalty because he or she doesn't know and connect with any meaningful-to-them difference between one brand and another. As a result, consumers prefer to search online aggregators providing the largest possible selection and offering the most competitive pricing.
The question is, therefore, why are there almost no truly differentiating hotel brands within the various categories?
Hotels are assessed primarily by the quality of the facility and staff service; minimally by that key factor to the guest experience: Emotional intelligence; and very rarely if ever, by operational efficiency.
Obviously, hotel facilities themselves do differ as there are no two identical pieces of real estate. But beyond that?
Could it be that the standards that traditional luxury hotels operate by are nearly identical? Indeed, the vast majority of competing luxury hotel groups and individual luxury hotels are measured by the exact same criteria—simply because they work with the same quality assurance advisory firm that determines what qualifies as luxury.
On the face of it, consistency of standards is a desirable element providing predictability for guests, but the real benefit can only be realized if those standards reflect the full range of elements listed above in equal measure, because luxury and a truly luxurious experience cannot manifest if any one element is missing or weak.
Another reason for hard-to-differentiate hotel products is that hotel operator contracts are acquired somewhat opportunistically, as opposed to following a dedicated strategy. In other words, hotel brands tend to amass properties not only to make more money and scale their business, but also to simply snap up a property before a competitor does.
The investor/landlord, obviously, prefers to build in such a way that there are multiple operators competing and an operator can be replaced easily if needed.
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